UNC News Service

CHAPEL HILL -- The following faculty projects will be exhibited or performed on the UNC campus as part of CHAT (Collaborations: Humanities, Arts & Technology), a digital arts and humanities festival Feb. 16-20.

'The Virtual Performance Factory'

A live and virtual simulation of a video game, this project lets audience members move through a performance space and interact with live actors and virtual experiences. Audience members' actions affect the performance. Game authors will craft narratives for the audience to experience.

n Project leader: Joseph Megel, UNC, communication studies lecturer and artist in residence.

n Project team: Allan Maule of Icarus Studios in Cary, liaison and coordinator; Tracy Walker, UNC, project coordinator and research assistant; Rob Hamilton, UNC, communication studies lecturer, technical director and designer; Mark Robinson, UNC, communication studies lecturer and multimedia lab director.

'The Bathysphere: Motion Capture as Art'

Designed as a virtual underwater opera and interactive game, the Bathysphere features three-dimensional animations and projections on the walls, ceiling and floor of a space, creating under- and above-water worlds. Two motion-capture systems deployed in the space will enhance the atmosphere: Picking up a beach ball, for instance, will cause an octopus to appear, while waving a wand will direct a school of fish around the space. A sound designer will contribute a musical score to round out the Bathysphere experience. For a demonstration of this project in its early stages, visit http://gazette.unc.edu/file.2.html#chat.

n Project leaders: Francesca Talenti, UNC, institute faculty arts fellow (spring 2010) and associate professor of communication studies, and Greg Welch, UNC, research associate professor of computer science.

n Project team: Herman Towles, UNC, senior research engineer in computer science; John Thomas, UNC, senior research associate in computer science; and UNC undergraduate and graduate students in the computer science department.

'Psychasthenia'

This project explores the game engine as an artistic medium. An interactive experience Psychasthenia involves custom-made sensors and input devices that govern how a user interfaces with a simulated environment. The project will be displayed and accessed in an immersive dome at RENCI's UNC site. The dome is a video-projection environment with an ultra-wide field of view (160 degrees) that gives a viewer a sense of total immersion.

n Project leader: Joyce Rudinsky, UNC, associate professor of communication studies and RENCI chief domain scientist for digital arts and humanities.

n Project team: Victoria Szabo, Duke, program director of information science and information studies; Mark Robinson, UNC, communication studies lecturer and multimedia lab director; Jason Coposky, RENCI, senior visualization engineer.

"The Architecture of Association"

Led by a Duke University research team, this project is a large-scale, generative artwork that draws associative links among media elements to form an evolving visual collage. The Architecture of Association creates rich media landscapes from real-time associative processes. The work will use keywords, metadata and custom clustering algorithms to make selections from the databases, bringing associative material into proximity for a particular duration.

n Project leaders: Bill Seaman, Duke, professor in the visual studies program; and Daniel C. Howe, Brown University computer science department, digital artist, researcher and doctoral candidate at New York University's Media Research Lab. To watch a video of the project, click to http://mrl.nyu.edu/~dhowe/video/AoA/.

'Festival on the Hill'

The UNC music department's contributions to CHAT will serve as this year's Festival on the Hill, a department event comprising performances, classes, lectures and more, held every other year. Registering for CHAT will not be required to attend Festival on the Hill events, which will be free to the public. Among offerings, to be detailed in later CHAT announcements, will be an electro-acoustic concert on Feb. 16 and a symposium, "The Art and Culture of the DJ," Feb. 18-19. For more information, visit http://music.unc.edu/calendars/thecalendar.

n Festival leaders: Stephen Anderson, D.M.A., UNC assistant professor of music; Thomas Otten, D.M.A., UNC associate professor of music; Frances White, freelance composer; Mark Katz, Ph.D., associate professor of music.

'Then/Now: 3-D Virtual Space as Temporal Telescope'

An interactive digital world representing parts of downtown Raleigh, this interactive space on a computer screen allows viewers to freely explore the virtual downtown while encouraging them to interact with virtual multimedia kiosks featuring archived images, text and audio of historic buildings, spaces and events. These digital kiosks are strategically placed in the same camera location and orientation as the original archived photos, allowing viewers a chance to both see multimedia displays of the past and participate in a new, virtual space.

n Project leaders: Patrick FitzGerald and graduate student Melissa Church, N.C. State Advanced Media Lab, College of Design.

'Internet Archive of African-American Performance Art'

This project team, comprising a UNC faculty member and his graduate seminar, are creating a Web archive of African-American performance art, featuring an online exhibition to support a variety of media, from texts and photographs to audio, video and Web-based artworks. During a two-week visit to campus in fall 2009, New York performance artist Clifford Owens debuted a performance to be archived on the Web site.

Owens is slated to return during the festival.

n Project Leader: John Bowles, assistant professor of art history.

n Collaborator: Clifford Owens, performance artist.

n Project Team: Bowles' graduate seminar.

'The William Blake Archive'

This federally funded, free Web site of Blake's poetry and art is based on approximately 5,500 images (two-thirds from illuminated books and one-third from Blake's paintings, drawings, and engravings) transferred to digital form. Illuminated books are those in which text is supplemented by decorations such as borders and miniature illustrations.

The archive is an international public resource that provides unified access to major works of visual and literary art that are highly disparate, widely dispersed and often severely restricted as a result of their value, rarity and extreme fragility.

n Project team: Joseph Viscomi, James G. Kenan Distinguished Professor of English and comparative literature at UNC; Robert Essick, University of California, Riverside; Morris Eaves, University of Rochester.

Besides these projects, the Carolina Digital Library and Archives in Wilson Library will showcase digital collections. More information is available at http://cdla.unc.edu/index.html?page=portfolio.

Student projects are being chosen and will be announced closer to the festival.